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1973 Aladdin Sane Tour |
In late ‘60s Britain, Bowie was a nomadic mod, moving from band to band, including the Manish Boys, who used Jimmy Page as a session man. Then came his hippie period, where he conjured up the odd psychedelic-folk vision of 1970’s The Man Who Sold the World and shifted into singer-songwriter mode on the 1971 LP Hunky Dory, before adopting the androgynous Ziggy Stardust persona and rising to glam-rock super stardom with The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Ever the risk-taker, Bowie washed off the glitter and tried his hand at stylish Philly soul with Young Americans, before embracing the
more avant-garde material of Station to Station and exiling himself to Berlin to work with producer Brian Eno on a trio of electronic records, as he closed out the ‘70s with Low, Heroes and Lodger.
Proving to be just as innovative with his videos, Bowie’s fame exploded in 1983 with the dance-pop sensation Let’s Dance, and though he went through a long creative malaise afterward, he had already established himself as an influential force in electronica, glam-rock, dance music, industrial rock, R&B, folk and many other areas, including acting.

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